Trabajo del artista/The artist`s work


Arte Vivo o Live art es el soporte escogido por la artista. A través de la interacción presencial trabaja a favor de la desnudez del individuo. La autenticidad y la sinceridad son los principales objetivos de cada acción.

Siendo un trabajo ecléctico en contenidos, ya que se formulan conceptos tales como tiempo, espacio, género…hay un componente que los consolida como unidad, un lenguaje poético que nace de la metódica selección de elementos y de una sencilla, llamémosle, puesta en acción. En su discurso se pueden obtener diversas lecturas a un mismo tiempo.


El aprendizaje pictórico y dramático la han ayudado a establecer un vínculo con la performance no solo desde la plástica sino desde el vertiginoso encuentro con uno mismo.




Live art is the medium chosen by the artist because by means of the presential interaction the nakedness of the being is favoured. Authenticity and sincerity are the principal objectives of each action.

Although the contents is eclectic, as concepts such as time, space, genus, are formulated, there is a component that consolidates them as a unit, this being a poetic language that stems from the methodical selection of visual elements and a simple presentation. This language, “forks” obtaining different readings at the time.


Pictorial and dramatic studies have helped to establish a link with the performance not only visual but also through the vertiginous meeting with one`s self.

martes, 11 de febrero de 2014

HYAKKI YAKOU - A Night Walk of A Hundred Demons

  In collaboration with Yumino Seki, Butoh dance. Coastal Currents Arts Festival, Hastings, UK
 HYAKKI YAKOU is a site-specific Butoh dance performance inspired by the Durbar Hall at Hastings Museum & Art Gallery UK. Performed on 26, 28 29th September 2013.
Conceived and performed by Yumino Seki, Aisa Boaa and Mai Nguyen Tri
Lighting Jim Roseveare, Soundscape Nick Weekes and Costume Anoushka Athique.
Hyakki Yakou literally translates to a night walk of a hundred demons. In 17century Japan objects were believed to be given lives after nearly serving 100 years and the demons were the spirits of deserted objects.
The piece incorporated choreography, light, sound, costume and guided viewing within the architecture. They were equally valued to stimulate a viewer’s multidimensional experience. Throughout the piece the choreography drew from stages of the transformation of the object.
HYAKKI YAKOU examined a visual aesthetic with a sensory presence, which totally transformed the Durbar Hall.
This project was supported by Arts Council England and The Japan Society. Kindly hosted by Hastings Museum & Art Gallery and listed in Coastal Currents festival 2013 and the Japan 400.

  http://vimeo.com/78810171
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